On Hold Music Licence in Australia: Rules and Scripts

Most businesses never choose their on hold music. It came with the phone system, or someone plugged in a radio years ago, or a staff member connected a streaming playlist on their phone. That is how a lot of Australian businesses end up playing copyrighted music to callers without the licence the law requires, or paying for one they did not need. This guide answers the licence question for a modern cloud phone system: when you need a OneMusic Australia Workplace and Telephone On Hold Music licence, how caller capacity is counted when there are no physical lines, what radio, streaming, royalty free and bundled music each need, and what the published fees were for licences taken out from 1 September 2026. Then it turns to the part callers actually notice: how long a hold loop should run, when to break in with a message, whether to announce queue position, and ready to adapt on hold message scripts for clinics, trades, real estate, accounting, retail and hospitality. It is general information, not legal advice.

Call Flow Guide Β· On Hold Music and Messages Β· 2026

On Hold Music in Australia: The Licence Question and What to Play

If your callers hear a song while they wait, someone probably has to be paid for it. Here is how the on hold licence works for a cloud phone system, the music that needs no licence at all, and the messages that make a wait feel shorter.

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TL;DR

Copyrighted music on hold needs permission. In Australia that usually means a OneMusic licence, which bundles the APRA AMCOS rights in the song and the PPCA rights in the recording. Radio counts. So does a streaming playlist, which needs the higher "communication and reproduction" cover and may still break the streaming service's own terms. On a cloud phone system, caller capacity is your maximum simultaneous users across all locations, and that sets the fee. For a single location with one or two simultaneous users the published fee was $293.33 a year including GST (communication only), for licences taken out from 1 September 2026. Genuinely royalty free music, or no music at all, needs no OneMusic licence, but check the licence on the track allows on hold use. Keep the loop short and useful: a message every 30 to 45 seconds, queue position if waits are long, and a way out to voicemail or a callback. The best hold is a short one, so fix routing before you polish the music.

Do You Need a Licence for On Hold Music?

If the music your callers hear is protected by copyright, yes, you need permission from the people who own it. Under Commonwealth copyright law, playing a song down a phone line to the public is a use the owners control, in the same way as playing it in a shop. There are usually two sets of owners: the songwriters and publishers, whose rights are administered by APRA AMCOS, and the record labels and artists who own the recording, whose rights are administered by PPCA.

Those two bodies license businesses through one joint initiative, OneMusic Australia. Its Workplace and Telephone On Hold Music licence covers music "on their external telephone system, when a caller first dials in, when the receptionist transfers the call or on after-hours messages", along with music in staff areas, presentations and office functions. The government's business licence finder lists it as the licence you need to use copyrighted music as telephone on hold music.

Three points catch businesses out:

  • Overseas music is not exempt. OneMusic's repertoire covers the vast majority of commercially released music from around the world, not just Australian artists.
  • An old song can still be in copyright. OneMusic's guide uses the example of a composition from 1678 recorded by an orchestra in 2004: the score is in the public domain, but the 2004 recording is not, so the recording still needs a licence.
  • A venue licence may not cover the office. OneMusic says that where a business's hold music is covered under another scheme, such as a hotel licence, that cover does not extend to head and branch offices, which need this licence.
General information, not legal advice

This guide summarises what OneMusic and the Australian Government publish, as read on 5 November 2026. Licence terms and fees change. Before you rely on any of it, check with OneMusic Australia (1300 162 162) or a copyright adviser. The Australian Copyright Council also publishes free independent information.

Radio, Streaming, Royalty Free or Built In: What Each Needs

The licence you need depends less on the song than on where the music comes from and whether a copy was made. OneMusic's July 2026 information guide splits it into two levels of cover: communication only, for simply playing music to callers, and communication and reproduction, for when a copy of the music has been made to put it on the phone system.

Where the hold music comes fromOneMusic licence?Which cover
A radio station re-transmitted down the line, talkback includedYesCommunication only. Note you also play the station's ads, including your competitors'.
A purchased CD played directlyYesCommunication only
Music copied to a hard drive or uploaded as a fileYesCommunication and reproduction
A personal streaming service or downloadYesCommunication and reproduction. OneMusic warns that its licence does not override the streaming service's own terms, which may not allow business use at all.
A message track made by an on hold agency, using commercial musicYesCommunication only, according to OneMusic's example of an agency supplying your messaging
Genuinely royalty free or production music licensed for on hold useNo OneMusic licence, per OneMusic's guideYou rely on the track's own licence, so keep a copy of it
Music that came with the phone systemDepends on the musicOneMusic says the onus is still on the business to make sure what is played is licensed
Your own jingle or commissioned musicPossibly notNot if you hold a direct licence from every rights owner; otherwise partial cover may apply
No music: messages or silence with a toneNoNothing to license

"Royalty free" is a description, not a guarantee. Some royalty free libraries allow use in videos and podcasts but say nothing about public performance or telephone systems. Before you upload a track, read its licence for words like "on hold", "telephony" or "public performance", and save the licence with your records.

Caller Capacity on a Cloud Phone System

The on hold fee is set mainly by caller capacity, which OneMusic defines as how many lines playing music the business can place on hold at any one time. That made sense when a PABX had a fixed number of lines. A cloud phone system has no physical lines, so OneMusic's fee methodology guide sets a separate rule: "Where a business uses VOIP or a Cloud based telephone system, caller capacity is the number of maximum simultaneous users across all locations."

In practice, work out the most people in your business who could be on calls at the same moment, across every site. A clinic with three reception staff and a practice manager who all take calls would count four. A business with two offices of five call takers each would count ten, and would also fall into the multiple locations column. If you are unsure, ask OneMusic how to count your setup rather than guessing low. The other two factors in the fee are whether you have one location or several, and whether you need reproduction cover as well as communication.

What the Licence Costs in 2026 and 2027

These are the annual telephone on hold fees from OneMusic's information guide dated July 2026, which states that its examples apply to licences taken out between 1 September 2026 and 31 August 2027. Fees include GST and are reviewed by CPI on 1 September each year. The table shows the smaller bands; larger bands continue up to 400 and beyond, and on hold fees are capped at $97,776.23 per client per year.

Caller capacitySingle location, communication onlySingle location, with reproductionMultiple locations, communication onlyMultiple locations, with reproduction
1 to 2$293.33$366.66$391.11$488.88
3 to 5$384.99$476.65$562.21$702.77
6 to 10$574.43$721.10$867.77$1,087.76
11 to 25$953.32$1,191.65$1,442.20$1,802.75
26 to 50$1,808.86$2,261.07$2,859.96$3,568.84

Two reductions are worth knowing. If you need only one of the two sets of rights, for example because you use a recording you licensed directly from the label, or a public domain composition in a modern recording, OneMusic applies a partial rights reduction (48.25% in the guide). Music in staff areas, presentations and office functions is a separate part of the same scheme, priced per full time equivalent employee with a minimum fee, so ask OneMusic to quote only the uses you actually have.

$293
a year for 1 to 2 simultaneous users, one location, communication only (incl. GST)
2
sets of rights in most songs: the composition and the recording
$0
OneMusic fee for genuinely royalty free music or messages only

Choosing Between Licensed, Royalty Free and Silence

Each choice is reasonable. What matters is that it is a choice, not an accident.

  • Licensed commercial music suits a brand where the sound is part of the experience, such as a salon, a gym or a venue that already plays a particular style in store. Budget for the licence each year and keep it current when you add staff, because caller capacity grows with you.
  • Royalty free music licensed for telephony suits most offices, clinics and trades. It is cheaper over time and avoids an annual renewal, provided the licence on the track genuinely covers on hold use.
  • Messages over a quiet bed, or a soft tone suits businesses where holds are short and callers mostly want to know they have not been forgotten. It is also the right choice where music would be out of place.

Whatever you pick, avoid two things: dead silence, which callers read as a dropped call, and a radio station, which hands your callers to someone else's advertising.

What Callers Should Hear: Building the Hold Loop

Your hold loop is the recording that plays from the moment a caller waits to the moment someone picks up. Think of it as a short, repeating programme.

  1. The first few seconds: confirm they reached the right place and that someone will be with them soon. Nothing else.
  2. Every 30 to 45 seconds: a short message, no longer than about 15 seconds, then back to the music. Long gaps feel like being forgotten; constant talk feels like being sold to.
  3. Rotate three to five messages so a caller waiting two minutes does not hear the same one four times.
  4. Offer a way out after a minute or two: press a key for voicemail, or a callback where your system supports it. Our guide to professional voicemail greetings covers what they should hear when they get there.
  5. Keep the whole loop to about two or three minutes before it repeats. If callers regularly hear it twice, the problem is staffing or routing, not the recording.

Write messages that answer the questions people are calling about: opening hours, where to park, what to have ready, how to book online. Every question the recording answers is one your staff do not have to. Keep prices and dates out of it unless you will remember to change it, because a hold message announcing last winter's special is worse than none.

Queue Position and Wait Time Announcements

A position announcement, "you are caller number three", tells callers the line is moving. It works best when waits are long enough to need reassurance and short enough that the number is encouraging. If callers routinely hear "you are caller number eleven", many will hang up, which may be the most honest outcome, but then give them a better option than ringing back later: an online booking link sent by text, a callback, or voicemail that someone clears before lunch.

Estimated wait times are more useful than positions, and riskier. An estimate that is wrong by three minutes damages trust more than saying nothing. If you use them, round up. For the numbers to watch when you set queue targets, such as service level and average speed of answer, see our guide to contact centre metrics.

On Hold Message Scripts by Industry

Adapt these to your business and read them aloud before you record them. Each one is short enough to sit between stretches of music. Replace anything in square brackets.

Medical, dental and allied health practices

  • "Thanks for holding. If this is a medical emergency, please hang up and call triple zero."
  • "You can book, change or cancel most appointments online at [website], any time of day."
  • "If you are calling about test results, please have your date of birth ready so we can find your file quickly."
  • "Running late for your appointment? Stay on the line and let us know, and we will do our best to fit you in."

Trades and home services

  • "Thanks for calling [business]. Our team is on site right now, and the next person free will take your call."
  • "If water, gas or power is a danger right now, tell us as soon as we answer and we will treat it as urgent."
  • "To speed things up, have your address and a quick description of the job ready. Photos help, and we can text you a link to send them."
  • "Prefer not to wait? Press [key] to leave your name and number and we will call you back today."

Real estate agencies

  • "Thanks for calling [agency]. If you are a tenant with an urgent repair, such as a burst pipe or no hot water, please tell us first so we can act straight away."
  • "Open home times for all our listings are at [website], updated daily."
  • "Thinking of selling? Ask us about a free market appraisal when we answer."

Accountants and bookkeepers

  • "Thanks for holding. You can upload documents securely through [portal], so there is no need to email them."
  • "We will never ask for your bank details or tax file number in an unexpected call or text. If something seems off, hang up and call us back on the number on our website."
  • "Have your client reference or ABN ready and we will find your file faster."

Retail

  • "Thanks for calling [store]. We are open [hours], and you can check stock and order online at [website]."
  • "Calling about an order? Have your order number ready. It is in your confirmation email."
  • "Ask us about click and collect, ready in [time] from our [suburb] store."

Cafes, restaurants and venues

  • "Thanks for calling [venue]. You can book a table any time at [website]."
  • "Planning a function? Our functions menu is online, and we are happy to talk you through it."
  • "Ringing about allergies or dietary needs? We are happy to help, just let us know when we answer."

Notice what none of these do: apologise for "unusually high call volumes" every day of the week, or say "your call is important to us". Callers have heard both so often they register as noise. A useful fact is better than a reassurance.

The Better Fix: Shorter Holds

The best on hold experience is one the caller barely has time to notice. Before spending an afternoon on music and scripts, check why people are waiting at all. Often it is routing: every call rings one person, the menu has an option nobody needs, or after hours calls queue for a team that has gone home. Our guide to call flow design walks through the common fixes, and our piece on replacing phone menus with AI covers the newer option.

An AI agent can answer routine calls straight away, such as opening hours, bookings and simple enquiries, and pass the rest to a person with a summary. That takes pressure off the queue at the busy times when holds are longest. If you are deciding which calls to hand over, start with our guide to which calls to automate.

Setting It Up on Uniden Voice

On Uniden Voice, hold music and messages are part of the call flow you design, and the features are in the plan. Callers can join a call queue with your own greeting, your hold music and a position announcement, instead of hearing an engaged tone. A time condition checks the hour, the day and your holiday list, so after hours callers get a different message, rather than waiting in a queue nobody is watching. If nobody answers in time, voicemail to email sends the message to the right inbox as an audio file.

You do not need a recording studio for the messages. Type your greeting and prompts and the system reads them out in a natural voice, in a choice of languages, so changing a message for the Christmas closure takes minutes. If you upload your own music, the licence rules above apply to what you upload, so keep the track's licence or your OneMusic licence on file.

AI Agents are built in as well, for the routine calls that do not need to wait for a person at all. Everything is designed, built, hosted and supported in Australia, with support on 1300 881 662, Monday to Friday, 9am to 5pm AEST.

Hear your call flow before your customers do

Book a free demo and we will map how your calls are answered, queued and announced, including the hold experience, and show you how to change it yourself.

Book a Demo Or call 1300 881 662

Want the full feature list first? See the Uniden Voice business phone system.

Frequently Asked Questions

Do I need a licence for on hold music in Australia?
If the music is protected by copyright, yes. Playing it to callers is a use that needs permission from the owners of the song and the recording, which in Australia is usually given through a OneMusic Australia Workplace and Telephone On Hold Music licence. You do not need a OneMusic licence for genuinely royalty free music whose licence covers on hold use, for music you have licensed directly from every rights owner, or if you play messages or a tone with no music. This is general information, not legal advice; check with OneMusic or a copyright adviser.
Does playing the radio on hold need a licence?
Yes. OneMusic's information guide says a phone system that re-transmits a radio station, including talkback, needs to be licensed for communicating that music, though not for copying it. Radio also plays the station's advertising to your callers, which can include your competitors, so it is rarely the best choice even when licensed.
How much does an on hold music licence cost?
OneMusic sets the fee by caller capacity, number of locations and whether you need copying cover as well. In its July 2026 guide, which applies to licences taken out from 1 September 2026 to 31 August 2027, a single location with one or two simultaneous users paid $293.33 a year including GST for communication only, or $366.66 with reproduction. Fees rise with capacity and are reviewed by CPI each September, so check the current guide before you budget.
How is caller capacity counted on a cloud or VoIP phone system?
OneMusic's fee methodology says that where a business uses a VoIP or cloud based phone system, caller capacity is the maximum number of simultaneous users across all locations. Count the most people who could be on calls at the same moment across every site. If you are unsure how to count your setup, ask OneMusic rather than guessing low.
Can I use Spotify or another streaming service for hold music?
OneMusic can license the music itself, at the higher communication and reproduction level, but it warns that its licence does not override the streaming service's own terms of use. Most personal streaming services are licensed for personal use only. Use a business music service, licensed royalty free music, or an uploaded file you are permitted to use instead.
What should an on hold message say?
Confirm the caller reached the right place, then use short messages, about 15 seconds each, every 30 to 45 seconds, that answer common questions: opening hours, how to book online, what to have ready, where to park. Rotate three to five messages, keep dates and prices out unless you will update them, and offer a way out to voicemail or a callback after a minute or two. Medical practices should include a triple zero reminder.

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